Finger Pointing Back in the Angkor Era
>> Wednesday, January 6, 2010
In an older post, Almost Got Me Shot, Happened Just the Other Day, I wrote about the 'finger of death', the use of the rigidly pointed finger (at the end of a fully extended arm) in Cambodia to indicate extreme, perhaps even dangerous levels of frustration. Seen between males, usually someone really, really ticked off by another, it indicates that the confrontation is moving to a dangerous phase, unless the person pointed at backs down in some public fashion. But sometimes, at that point, maybe it is too late.
On a trip to Angkor Thom recently, I saw two elephant mahouts carved into the stone facade of the Elephant Terrace. Their raised and rigid arms were pointing at each other in a very unfriendly looking encounter. But the entire procession of elephants is hard to read. Aesthethic considerations may have dictated that the elephants be presented in pairs, facing each other, so really it is no procession at all but pairs of elephants confronting each other, two by two, all of them with raised trunks. This can easily be read in more than one way. The mahouts pictured below are the only ones who are pointing at each other, however.
There are wall carvings at the Bayon, the central temple at Angkor Thom, which include bas-relief of a naval battle between Cham invaders and the Khmer, but also (peaceful) military processions which include both Cham and Khmer soldiers, and then a scene where groups of Khmer are arguing and fighting with each other!
So that gives us some space in which to ask: what are these two Khmer mahouts up to, did they have a falling out of some sort? Is one trying to say: "Hey, don't I know you? Weren't you that guy hitting on my sister last year? Didn't I tell you then I don't want to see your face again?" We will never know. (Of course, trying to read the past by projecting back a thousand years from the present is a highly suspect activity!)